![]() Who do you get when you want to impress the 1980s art world? Why, Andy Warhol, of course! A small company could get a single Amiga that would take care of all their computing tasks, or a large corporation could buy a fleet of them, each designated toward a particular purpose, but capable of taking over for any of the others should the need arise.īut while the Amiga could be argued as being a Jack-of-all-computing-trades, the evening in New York City was certainly more sharply focused on its creative abilities, as demonstrated on stage by pop-art sensation Andy Warhol, digitally painting musician Debbie Harry (aka Blondie). The Amiga was presented as a bridge between technology and creativity, as a new kind of computer that could fill any need, be that artistic, or scientific, or business-related. The Amiga debuted to a black-tie audience of press, software and hardware developers, Commodore shareholders, investors and celebrities. On July 23rd, 1985 the Amiga premiered at a lavish party at the Lincoln Center in New York City. The Amiga also featured four digital sound channels that could play back samples directly from the computer’s memory, reproducing acoustic instruments and vocal tracks, and bursting forth surprisingly good musical arrangements. Not only a feast for the eyes, but the ears too! This allowed for stunning photorealistic images. While colour computer graphics were not a new invention, the Amiga provided a video mode capable of displaying 4096 colours – previously unprecedented in a consumer computer. The Amiga represented an evolutionary leap forward in computing’s creative potential.
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